"The Hours" by Michael Cunningham

Review by Dave Karp

            “Yes, she thinks, this is probably how it must feel to be a ghost. It’s a little like reading, isn’t it-that same sensation of knowing people, settings, situations, without playing any particular part beyond that of the willing observer.”

            This is probably one of the most haunting lines that stuck with me from Michael Cunningham’s fantastic novel, The Hours. A friend/mentor of mine let me borrow the book, knowing that I so much loved Virginia Woolf’s novel, Orlando: A Biography, which made me fall in love with Woolf. And, after reading The Hours, I can tell you this: This is one of the most haunting books I have yet to read, but in a unique way that maybe Mrs. Dalloway did for her generation, though I have yet to read the famous Woolf novel yet. The novel has been made into a movie as well, directed by Stephen Daldry and starring Nicole Kidman, Julianne Moore, and Meryl Streep as the leading ladies (and, may I add, a haunting score by Philip Glass). I recommend the movie, as it was a very good adaptation of the book and brought the haunting atmosphere the novel did to the screen, and stayed true to most of the book. But, back to the novel!

            Cunningham takes the day in the life of three different women in three different time periods. There is Virginia Woolf herself in the early 1920’s in a suburb in London. Then, there is Laura Brown in 1950’s suburban Los Angeles. Last, but not least, is Clarissa Vaughan in New York City, 2001. Woolf is beginning to write Mrs. Dalloway, Laura deal with the disenchantment of suburban life with her husband, son, and another child on the way, and Clarissa is trying to get a party put together for a very dear friend and poet. We are thrown into the lives of these characters as well as their ghosts and troubles, and at the end of the novel, we find how all three of these stories and these lives come chillingly together.

            This is a novel rich with not only story, but description. We look at the world these characters are living in almost poetically, and it works. Of course, there is dialogue, but the imagery that Cunningham gets on the page is very rich and he makes you see everything clearly as you are brought into the lives and environments of these characters. It’s some of the strongest description I have read in a while, and it really brings a whole other layer to the story, one that really makes you feel as if you are an “observer” or a “ghost”.

            The story is one that you become quite curious and enriched in, and is very well written. The thoughts of these characters come out on the page amazingly as well, which makes us feel for them even more, and we understand their struggles all the more. The three women are haunted by many things, and we see that clearly, almost as if in some way it mirrors the lives you and I are living, and questioning how much happens within a day of the lives of everyone.

Which brings me to the thing I may have liked about it the most and was one of the most haunting aspects for me: It was an epic about the everyday life. Such as what Woolf did with her novel Mrs. Dalloway, Cunningham brings into his novel and adds his own flair to it. He brings out the power and the epicness of everyday thought, worries, and questions. With the question the three main characters have, you can’t help think about your own life and your own time you are occupying. The book gets even philosophical about living day after day, and why life is, in a way, both tragic and beautiful. But we are left with remembering that we have many days, many hours, and we should always remember that there are good things and bad, luck and bad luck, but that also, strangely, life is a beautiful thing and the only real enemy is time.

            
         

Jessica Abel's "La Perdida"

Review by David Karp

            Jessica Abel’s graphic novel, La Perdida, follows the adventure of Carla, a Mexican American, and her move to Mexico City to learn more about herself and her identity. She crashes with her ex-boyfriend, Harry, who is following the steps of the likes of William S. Burroughs and Jack Kerouac and crashing in the city, struggling to find inspiration for his writing. Disenchanted by each other, they come to an inevitable clash and Carla goes to join her new friends, natives Memo, Oscar, and others. Carla eventually finds herself “in too deep” in the Mexican underworld and her good intentions of trying to be a part of the culture and no longer an “outsider” gets her into trouble.

            Ok, I loved this graphic novel for many reasons. One of the reasons is the cultural aspect of the novel the story and the artwork brings. We are brought with Carla on her journey through the good and the bad Mexico City, and it is done with careful detail and enriched language. The use of Spanish is very cleaver, and it’s brought to any non-Spanish speaking readers in a very helpful, easy to grasp, and even information and educational way (parts of the novel also having subtitles which is fun!). Any words or phrases that one would need help defining are in a convenient glossary in the back of the novel.

            The story is very compelling, and the characters are certainly very outspoken. I honestly don’t think there was a character I didn’t get frustrated with at one time or another in the novel because of their words or not-so-wise decisions, but you end up getting to know the character’s views and dreams very intimately.

            That’s the other thing about this novel; it’s very conversational (which I love to read in any type of novel). Yes, it’s a graphic novel, so yeah it’s going to be, but this was in a very unique, almost (at least in the beginning) in a Woody Allen like way in its philosophy and its political/cultural undertones.  The characters very much express their views (especially the character Memo, who seems to always get into arguments with everyone) and have very thoughtful conversations about the differences of Mexico and America as well as the culture of Mexico and what it is to live as a real Mexican, which is, of course, one of the big themes of the novel, as well as Carla’s goal.

            Admittedly, I have not read that many graphic novels in my life, and being introduced to La Perdida has made me want to explore more, and more specifically ones that fuse different cultures into it. Yes, the fusion of culture in Abel’s novel is very good and the story makes us think about our own views towards other countries and the differences of being a tourist and being an “insider”. The form of a graphic novel was a very cool way to see this kind of cultural story play out, as I like the idea of introducing culture through both words and pictures.

            Of course, the artwork of the novel is really good. It captures the story, characters, and culture of Mexico City really well as the pictures guide us through the stories and the emotions. The artwork is black and white, which brings another unique feel to it; a rawer storytelling feel which I like. It also brings an urban air to it, which fits well into the setting of Mexico City and its darker side as you progress in the novel.

            So, all and all, I really suggest checking out this graphic novel, as you will not only be introduced to some Mexican culture, but also thrown into a unique journey and a different viewpoint of Mexico City that makes you think, all through the awesome art of graphic novel.

Interview with The Toucan's Liz Baudler

Well this interview has taken several months to bring to the wide-wide web! In fact-and Dave and I aren't afraid but TOTALLY embarrassed to admit this-we conducted this interview while attempting to create our first project together (that started great but kinda went nowhere...) Never mind that, the past is past and now we are Writers, Writers without a home! Which is more fitting when interviewing the co-creator of a literary magazine instead of for a podcast...So here it is! The interview long overdue! Justin Vaisnor and Dave Karp featuring Liz Baudler! Enjoy!